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Environmental Art as Metaphor

A lecture by Peter Selz, Professor Emeritus, UC Berkeley
Sponsored by Santa Fe Art Institute
Monday, January 31, 2005

Environmental Art as Metaphor focuses on artists dealing in many different ways with our relationship to the earth. Since the 1960s, progressive artists have increasingly turned to making art with environmental concerns, to create greater awareness of the human-instigated plight of the planet. Among the artists to be discussed are Herbert Bayer, Robert Morris, Helen and Newton Harrison, Agnes Denes, Allan Sonfist, David Nash, Christo and Jeanne Claude.

Peter Selz is former chief curator of the Department of Painting and Sculpture Exhibitions at the Museum of Modern Art (MOMA), NY, Founding Director of the Berkeley Art Museum and Professor Emeritus, UC Berkeley. He has published 15 books on 20th century art, and has just completed The Art of Engagement: Visual Politics in California and Beyond (UC Press, 2005)

 
     

Creative Capital Professional Development Weekend Retreat for Individual Artists
11/06, For Santa Fe, Sandoval and Bernalillo Counties, NM.

The Santa Fe Art Institute in collaboration with the IAIA Museum, the Lensic Center for the Performing Arts and the Harwood Art Center, is pleased to partner with the Creative Capital Foundation to present a Professional Development Weekend Retreat for artists and performing artists living and working in Bernalillo, Sandoval and Santa Fe Counties, New Mexico. The retreat will take place at the Santa Fe Art Institute from Friday, October 20 to Sunday, October 22, 2006. Eligible artists are invited to apply to attend.

MORE INFO + APPLICATION (pdf)>


 
SANTA FE ART INSTITUTE presents
Cats of Mirikitani
a documentary by Linda Hattendorf
Santa Fe Film Center at Cinemacafe, 11/06

A couple of months after 9/11, filmmaker Linda Hattendorf came to the SF Art Institute as an emergency relief artist. She brought with her the early footage she had shot for this film, now a sensation at film festivals! Every showing in New York’s Tribeca Film Festival in May 2006 was sold out!

"Make art not war" is Jimmy Mirikitani’s motto. This 85-year-old Japanese American artist was born in Sacramento and raised in Hiroshima, but by 2001 he is living on the streets of New York with the twin towers of the World Trade Center still ominously anchoring the horizon behind him. What begins as a simple verite portrait of one homeless man will become a rare document of daily life in New York in the months leading up to 9/11. How deeply these two stories will be intertwined cannot yet be imagined. This is the story of losing "home" on many levels.

How did Mirikitani end up on the streets? The answer is in his art. As tourists and shoppers hurry past, he sits alone on a windy corner in Soho drawing whimsical cats, bleak internment camps, and the angry red flames of the atomic bomb. When a neighboring filmmaker stops to ask about Mirikitani's art, a friendship begins that will change both their lives. In sunshine, rain, and snow, she returns again and again to document his drawings, trying to decipher the stories behind them. The tales spill out in a jumble -- childhood picnics in Hiroshima, ancient samurai ancestors, lost citizenship, Jackson Pollock, Pearl Harbor, thousands of Americans imprisoned in WWII desert camps, a boy who loved cats... As winter warms to spring and summer, she begins to piece together the puzzle of Mirikitani's past. One thing is clear from his prolific sidewalk displays: he has survived terrible traumas and is determined to make his history visible through his art.

September 11 thrusts Mirikitani once again into a world at war and challenges the filmmaker to move from witness to advocate. In the chaos following the collapse of the World Trade Center, she finds herself unable to passively photograph this elderly man coughing in the toxic smoke, and invites him into her small apartment. In this uncharted landscape, the two navigate the maze of social welfare, seek out family and friends, and research Jimmy's painful past -- finding eerie parallels to events unfolding around them in the present.

Discovering that Jimmy is related to Janice Mirikitani, Poet Laureate of San Francisco, is the first in a series of small miracles along the road to recovery. Jimmy's story comes full circle when he travels back to the West Coast to reconnect with a community of former internees at a healing pilgrimage to the site of his internment camp Tule Lake, and to see the sister he was separated from half a century ago.

Blending beauty and humor with tragedy and loss, THE CATS OF MIRIKITANI is an intimate exploration of the lingering wounds of war and the healing power of art. A heart-warming affirmation of humanity that will appeal to all lovers of peace, art, and cats.

The Filmmaker: Linda Hattendorf
Producer/Director Linda Hattendorf has been working in the New York documentary community for more than a decade. Her editing work has aired on PBS, A&E, and The Sundance Channel as well as in theatrical venues and many festivals. She edited 7th Street, directed by Josh Pais; Julia Pimsleur's Brother Born Again; Nancy Recant's Jin Shin Jyutsu and Christina Lundberg's On the Road Home: A Spiritual Journey Guided by Remarkable Women. She was Associate Editor on Barbara Kopple's Bearing Witness and Helen Whitney's The Choice '96, Contributing Editor on Lisette Flanary's American Aloha: Hula Beyond Hawaii which aired on POV, a cameraperson for William Greaves' Symbiopsychotaxiplasm Take 2 1/2, and a researcher for the Ken Burns series The West. She was born in Cincinnati, Ohio and holds degrees in Literature, Art History, and Media Studies. This is her directorial debut.

Linda Hattendorf edited Cats of Mirikitani while living at SFAI as a NY Emergency artist in residence after 9/11/01.