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About SFAI | Lectures and Workshops | Education and Outreach | Residencies | Membership | Past Events |
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>COMFORTZONE< |
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MARCH | APRIL | MAY | JUNE | JULY | AUG | SEPT | OCT | NOV | DEC | JAN |
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Jonathan
Hollingsworth |
FEB | ||||||
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Hans
Haacke
Lecture 3/19, 6pm Tipton Hall Workshop 3/20 - 23, SFAI Hans Haacke was born in 1936 in Germany, and trained as a painter but is world renowned as a conceptual artist. In 1961 he received a Fulbright Scholarship and studied at Temple University in Philadelphia, PA. In his work Haacke touches on taboos in the social system, using his art to aim for the nerve-centre of the establishment. He cannot be bracketed in any artistic trend; his works consist of text and photograph, simple direct text, or paint. Haacke lectures and exhibits world wide. He is a full professor at Cooper Union, NYC. More>(pdf) |
MARCH | ||||||
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Harell
Fletcher
Lecture 3/26, 6pm Tipton Hall Workshop 3/27 - 30, SFAI Harrell Fletcher received a Bachelor of Fine Arts degree from the San Francisco Art Institute, and a Master of Fine Arts degree from the California College of Arts and Crafts. For the past ten years he has worked collaboratively and individually on interdisciplinary, site-specific projects exploring the dynamics of social spaces and communities. Fletcher's approach is to first understand a site's physical and social characteristics, and then to create work which illuminates compelling aspects of that site. Because he works with diverse non-art related populations and individuals, inherently his audience expands beyond the art world. He has exhibited at SF MoMA, the de Young Museum, The Berkeley Art Museum, Yerba Buena Center For The Arts in San Francisco, The Drawing Center, Socrates Sculpture Park, and Smackmellon in NYC, DiverseWorks and Aurora Picture show in Houston, PICA in Portland, OR, CoCA in Seattle, WA, and Signal in Malmo, Sweden. Fletcher is represented in San Francisco by Jack Hanley Gallery, and in NYC by Christine Burgin Gallery. He was a participant in the 2004 Whitney Biennial. In 2002 Fletcher started Learning To Love You More, a participatory web site with Miranda July. Harrell Fletcher is a genius at engaging audience and community in the process of art making - gathered around important social and cultural issues. His workshop will engage these practices and will focus on ways for each participant to expand the reach and level of connection between their work and community. More>(pdf) |
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| Trebor
Scholz Lecture: 4/20, 6pm Tipton Hall Workshop: 4/21-22, SFAI Trebor Scholz grew up in East Berlin and is currently based in New York where he works both collaboratively and individually as an artist, media theorist, activist, and organizer. His interests focus on media theory, art, and education. Scholz is the founder of the Institute for Distributed Creativity (iDC). In 2005 he organized Share, Share Widely and in 2006 Architecture and Situated Technologies (with Omar Khan, Mark Shepard). He is the founder and facilitator of the iDC mailing list. For artists, new media technologies have created a myriad of opportunities for online community building, collaboration, play, and, most interestingly, integrating new and old media for potentially subversive responses to political issues. The possibilities of the Internet have empowered many artists in Eastern Europe, for instance, to make their cultural contributions visible across international borders that they might not otherwise have been able to bridge. Scholz is interested in exploring and utilizing these opportunities particularly as they relate to art and activism. |
APRIL | |||||||
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Join artistic director/co-composer, Molly Sturges, and members of the ensemble and artist team of Memorylines/Voces de Nuestras Jornadas to speak about the process of making this new work. Memorylines/Voces
de Nuestras Jornadas, a contemporary multi-lingual opera project, brings
together individuals, ages 8-87 across cultural, economic and generational
lines in Santa Fe to create an original new work directed by Molly Sturges.
Together with an artist team including Valerie Martinez, David Dunn, Chris
Jonas, Rulan Tangen, David Gallegos, Chrissie Orr, Penny Rae and Jaime
Becerril, the participants will perform the new work based upon personal
maps of their lives and the collective intersections that emerged from
a three month intensive creative process involving video, acoustic ecology,
movement, music, visual arts, and writing. Presented by The Santa Fe Opera
and The Lensic Performing Arts Center, Memorylines, a Little Globe production,
will be performed May 11 and 12th at 7pm and May 13th at 2pm at The Lensic. |
MAY | ||||||
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David
Maisel |
JUNE | ||||||
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Coco
Fusco |
JULY | ||||||
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Mel
Chin Lecture 8/6, 6pm Tipton Hall Workshop 8/7 - 10, SFAI Mel Chin was born in Houston to Chinese parents in 1951, the first of his family born in the United States, and was reared in a predominantly African-American and Latino neighborhood. He worked in his family’s grocery store, and began making art at an early age. Though he is classically trained, Chin’s art, which is both analytical and poetic, evades easy classification. Alchemy, botany, and ecology are but a few of the disciplines that intersect in his work. He insinuates art into unlikely places, including destroyed homes, toxic landfills, even popular television, investigating how art can provoke social awareness and responsibility. |
AUG | ||||||
| Rulan
Tangen and Leland Chapin 8/13 – 8/17, Exhibition Tierres Cuerpo — Realidadismo SFAI 8/16 Rulan Tangen Performance and Discussion, 12pm SFAI |
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Siah
Armajani Using
architecture as a metaphor, Iranian born artist Siah Armajani challenges
us to think more carefully about transition and place. Throughout his
career, Armajani has exhibited a special sensibility for the human condition,
and has created work of monumental scale to express it. Fallujah, with
its references to Picasso's Guernica, is breathtakingly beautiful
in its structure, and compelling in its message on the human impact of
war. |
SEPT | ||||||
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Barbara
Hammer |
OCT | ||||||
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Dyanna
Taylor Dyanna Taylor
is a cinematographer and director whose films explore many of the most
pressing issues of social justice and human rights today. Taylor’s
work is long and distinguished: She won the Peabody Award for the film
Winter Dreams, a biography of F. Scott Fitzgerald and won the MUSE award
from NYWIFT recognizing her cinematography. Her other credits include
500 Nations, Homeland: Four Portraits of Native Action, the Academy
Award winning Common Threads: Stories from the Quilt, and Agnes
Martin: With My Back to the World, as well as dramatic and non-fiction
films shot both nationally and internationally.
MORE(pdf)>
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Fernando
Garavito |
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Hamid
Naficy |
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Edgar
Heap of Birds The artworks
of Hock E Aye VI Edgar Heap of Birds include multi-disciplinary forms
of public art messages, large-scale drawings, Neuf Series acrylic paintings,
prints, and monumental porcelain enamel-on-steel outdoor sculpture. His
work engages the gap that exists between commonly held ideas and the realities
of the history of the indigenous peoples of the US. Heap of Birds received
his M.F.A. from Tyler School of Art, Temple University, Philadelphia,
PA, his B.F.A. from The University of Kansas, Lawrence, KS and The Royal
College of Art, London, England. He has served as visiting lecturer and
taught as Visiting Professor at universities around the world. At The
University of Oklahoma Professor Heap of Birds teaches in Native American
Studies and Fine Arts. MORE(pdf)> |
NOV | ||||||
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Juan
Manuel Echavarria Laurel Reuter, Curator's Lecture Mouths of Ash, 12/1 Mouths of Ash Exhibition, 12/1 – 18 Lecture: 12/3, 6pm Tipton Hall Workshop: 12/4 –7, SFAI Since 1995 Juan Manuel Echavarria's work has been concerned with finding new ways to document Columbia’s grotesquely violent civil conflict. The conflicts between the army, left-wing guerillas and right-wing paramilitaries can be traced back to the 1950s, and the drug cartels to the 1980s. His disturbingly beautiful pictures evoke the dread and human waste of this endless war without presenting a succession of bloody corpses. Turning his camera to blind spots in the social fabric of Colombia, Echavarria creates a record of violence everywhere. |
DEC | ||||||
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Fernando
Garavito 1/7 '08 Lecture, 6pm Tipton Hall Garavito is a Columbian journalist forced into exile after publishing a biography detailing the links between Columbia's drug cartels, right-wing paramilitary groups, and President Alvaro Uribe Velez. |
JAN'08 | ||||||