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MARCH
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Jonathan Hollingsworth
Photo Exhibition "What We Think Now" 1/5 – 2/2
Closing Party 2/2, 7-10pm, SFAI

This exhibition of large-scale digital photographs brings us images of a diverse group of young people and their thoughts on the war in Iraq. Each of the 40 images present a resident of California, all under 30 years of age,who were asked to express their thoughts on the US involvement in Iraq. Unframed and installed in a tightly spaced row, these images present the young person with their hand written thoughts (something of an anomaly in the ‘post literate’ age.) Representing the individual rather than impersonal statistics, these images produce a powerful historical record about what our young people are thinking about politics, war and national integrity.

FEB
 


  Hans Haacke
Lecture 3/19, 6pm Tipton Hall
Workshop 3/20 - 23
, SFAI

Hans Haacke was born in 1936 in Germany, and trained as a painter but is world renowned as a conceptual artist. In 1961 he received a Fulbright Scholarship and studied at Temple University in Philadelphia, PA. In his work Haacke touches on taboos in the social system, using his art to aim for the nerve-centre of the establishment. He cannot be bracketed in any artistic trend; his works consist of text and photograph, simple direct text, or paint. Haacke lectures and exhibits world wide. He is a full professor at Cooper Union, NYC.
More>(pdf)

MARCH
 


  Harell Fletcher
Lecture 3/26, 6pm Tipton Hall
Workshop 3/27 - 30, SFAI


Harrell Fletcher received a Bachelor of Fine Arts degree from the San Francisco Art Institute, and a Master of Fine Arts degree from the California College of Arts and Crafts. For the past ten years he has worked collaboratively and individually on interdisciplinary, site-specific projects exploring the dynamics of social spaces and communities. Fletcher's approach is to first understand a site's physical and social characteristics, and then to create work which illuminates compelling aspects of that site. Because he works with diverse non-art related populations and individuals, inherently his audience expands beyond the art world. He has exhibited at SF MoMA, the de Young Museum, The Berkeley Art Museum, Yerba Buena Center For The Arts in San Francisco, The Drawing Center, Socrates Sculpture Park, and Smackmellon in NYC, DiverseWorks and Aurora Picture show in Houston, PICA in Portland, OR, CoCA in Seattle, WA, and Signal in Malmo, Sweden. Fletcher is represented in San Francisco by Jack Hanley Gallery, and in NYC by Christine Burgin Gallery. He was a participant in the 2004 Whitney Biennial. In 2002 Fletcher started Learning To Love You More, a participatory web site with Miranda July. Harrell Fletcher is a genius at engaging audience and community in the process of art making - gathered around important social and cultural issues. His workshop will engage these practices and will focus on ways for each participant to expand the reach and level of connection between their work and community.
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  Trebor Scholz
Lecture: 4/20, 6pm Tipton Hall
Workshop: 4/21-22, SFAI


Trebor Scholz grew up in East Berlin and is currently based in New York where he works both collaboratively and individually as an artist, media theorist, activist, and organizer. His interests focus on media theory, art, and education.

Scholz is the founder of the Institute for Distributed Creativity (iDC). In 2005 he organized Share, Share Widely and in 2006 Architecture and Situated Technologies (with Omar Khan, Mark Shepard). He is the founder and facilitator of the iDC mailing list.

For artists, new media technologies have created a myriad of opportunities for online community building, collaboration, play, and, most interestingly, integrating new and old media for potentially subversive responses to political issues. The possibilities of the Internet have empowered many artists in Eastern Europe, for instance, to make their cultural contributions visible across international borders that they might not otherwise have been able to bridge. Scholz is interested in exploring and utilizing these opportunities particularly as they relate to art and activism.


APRIL
 


 



The Making of MEMORYLINES: Reflections on Collaborative Creative Process

Event: Monday 5/7, SFAI

Join artistic director/co-composer, Molly Sturges, and members of the ensemble and artist team of Memorylines/Voces de Nuestras Jornadas to speak about the process of making this new work.

Memorylines/Voces de Nuestras Jornadas, a contemporary multi-lingual opera project, brings together individuals, ages 8-87 across cultural, economic and generational lines in Santa Fe to create an original new work directed by Molly Sturges. Together with an artist team including Valerie Martinez, David Dunn, Chris Jonas, Rulan Tangen, David Gallegos, Chrissie Orr, Penny Rae and Jaime Becerril, the participants will perform the new work based upon personal maps of their lives and the collective intersections that emerged from a three month intensive creative process involving video, acoustic ecology, movement, music, visual arts, and writing. Presented by The Santa Fe Opera and The Lensic Performing Arts Center, Memorylines, a Little Globe production, will be performed May 11 and 12th at 7pm and May 13th at 2pm at The Lensic.

MAY
 
 

David Maisel
Lecture 6/18, 6pm Tipton Hall

David Maisel (b. New York, NY, 1961) is a photographer and visual artist based in the San Francisco Bay area. Bringing together the aspects of beauty and danger, Maisel has turned his lens on the devastating effects of pollution in the landscape. He has received fellowships from the National Endowment for the Arts and the Opsis Foundation. His artwork is represented in major public and private collections, including the Metropolitan Museum of Art, the Museum of Fine Arts Houston, and the Los Angeles County Museum of Art. Maisel’s photographs have been featured in numerous solo and group exhibitions in the United States, Canada, and Europe. His first book, The Lake Project, was published by Nazraeli Press in 2004, and was selected as one of the Top 25 Photography Books of that year by the critic Vince Aletti. Maisel’s second book, Oblivion, will be published by Nazraeli Press in Fall 2006. MORE(pdf)>

JUNE
 
 

Coco Fusco
Lecture 7/9, 6pm Tipton Hall

Coco Fusco is a New York-based interdisciplinary artist and writer. She has performed, lectured, exhibited and curated around the world since 1988. She is the author of English is Broken Here (The New Press, 1995), The Bodies That Were Not Ours and Other Writings (Routledge/inIVA, 2001) and the editor of Corpus Delecti: Performance Art of the Americas (Routledge, 1999) and Only Skin Deep: Changing Visions of the American Self (Abrams, 2003). Fusco is a recipient of a 2003 Herb Alpert Award in the Arts. She is an associate professor in the Visual Arts Division of Columbia University’s School of Arts.


JULY
 
  Mel Chin
Lecture 8/6, 6pm Tipton Hall
Workshop 8/7 - 10, SFAI


Mel Chin was born in Houston to Chinese parents in 1951, the first of his family born in the United States, and was reared in a predominantly African-American and Latino neighborhood. He worked in his family’s grocery store, and began making art at an early age. Though he is classically trained, Chin’s art, which is both analytical and poetic, evades easy classification. Alchemy, botany, and ecology are but a few of the disciplines that intersect in his work. He insinuates art into unlikely places, including destroyed homes, toxic landfills, even popular television, investigating how art can provoke social awareness and responsibility.

AUG
 
  Rulan Tangen and Leland Chapin
8/13 – 8/17, Exhibition Tierres Cuerpo — Realidadismo SFAI
8/16 Rulan Tangen Performance and Discussion, 12pm SFAI



 
 
 

Siah Armajani
9/10 – FALLUJAH: REVEALING WAR
A conversation with artist Siah Armajani, journalist Dahr Jamail, and writer Jeremy Scahill, moderated by Mary Charlotte Domandi,
6pm Greer Garson Theater

Lecture: 9/11, 6pm Tipton Hall

Workshop: 9/11 – 12, SFAI

Fallujah will be on exhibition at SFAI
9/10-10/22, 9am - 5pm, Mon - Fr

Using architecture as a metaphor, Iranian born artist Siah Armajani challenges us to think more carefully about transition and place. Throughout his career, Armajani has exhibited a special sensibility for the human condition, and has created work of monumental scale to express it. Fallujah, with its references to Picasso's Guernica, is breathtakingly beautiful in its structure, and compelling in its message on the human impact of war.

SEPT
 
 

Barbara Hammer
'Love Other' Screening and Artist's Talk: 10/1, 6pm Tipton Hall
Workshop, 10/2 – 5, SFAI

Barbara Hammer A respected member of avant-garde and queer film communities for more than 30 years, Hammer has made over 80 films and videos. Her distinctive vision has led to a series of pioneering works. It is "by reappropriating and remaking lesbian and gay visual history out of the misrepresentations of the past," notes Hammer, "that the former oppressive collective memories of identity will become the power site of social change." Her explorations yielded singular results: daring, unorthodox works exhibiting a dizzying array of visual juxtapositions, colors, textures, and formats that provoke visceral sensations while pulling apart and reconfiguring cultural representations of lesbian history and sexuality and other marginalized narratives.

OCT
 
 

Dyanna Taylor
Lecture: 10/15, 6pm Tipton Hall

Dyanna Taylor is a cinematographer and director whose films explore many of the most pressing issues of social justice and human rights today. Taylor’s work is long and distinguished: She won the Peabody Award for the film Winter Dreams, a biography of F. Scott Fitzgerald and won the MUSE award from NYWIFT recognizing her cinematography. Her other credits include 500 Nations, Homeland: Four Portraits of Native Action, the Academy Award winning Common Threads: Stories from the Quilt, and Agnes Martin: With My Back to the World, as well as dramatic and non-fiction films shot both nationally and internationally. MORE(pdf)>

 
 
 

Fernando Garavito
Reading from his new book Praxis & Ambiguity of the Enemy
1
0/22, 6pm Tipton Hall


Fernando Garavito, now residing in the United States, is a journalist, writer, and professor who was forced into exile after being threatened for speaking out against government corruption in his native Colombia. In 2002, Garavito was a full-time professor in the department of Political Science and International Relations at the University of Rosario in Bogotá when he wrote about Colombia's drug cartels and right-wing paramilitary groups. He left for the United States with his family and found work teaching in Maine. Later, he was invited to join the International Cities of Asylum project, which provides refuge for threatened writers and their families. With help from PEN New Mexico, Garavito and his family relocated to Santa Fe, New Mexico. He worked at University of New Mexico in Albuquerque as a lecturer and Artist-in-Residence in the Department of Latin American Studies.

 
 
 

Hamid Naficy
Accented Cinema Lecture, 10/29, 6pm CCA Cinematique

Dr. Hamid Naficy's landmark text Accented Cinema is the first to explore the aesthetics and politics of exilic cinema--films made by artists working outside their homelands. Naficy argues that this "accented cinema" -- with styles and forms distinct from Hollywood films -- requires new sets of viewing skills on the part of audiences. In this illustrated lecture, Naficy will use clips to explore the accented cinema, giving special consideration to displaced filmmakers from South America.

 
 
 

Edgar Heap of Birds
Lecture: 11/5, 6pm Tipton Hall
Workshop: 11/6 – 9, SFAI

The artworks of Hock E Aye VI Edgar Heap of Birds include multi-disciplinary forms of public art messages, large-scale drawings, Neuf Series acrylic paintings, prints, and monumental porcelain enamel-on-steel outdoor sculpture. His work engages the gap that exists between commonly held ideas and the realities of the history of the indigenous peoples of the US. Heap of Birds received his M.F.A. from Tyler School of Art, Temple University, Philadelphia, PA, his B.F.A. from The University of Kansas, Lawrence, KS and The Royal College of Art, London, England. He has served as visiting lecturer and taught as Visiting Professor at universities around the world. At The University of Oklahoma Professor Heap of Birds teaches in Native American Studies and Fine Arts. MORE(pdf)>

NOV
 
  Juan Manuel Echavarria
Laurel Reuter, Curator's Lecture Mouths of Ash, 12/1
Mouths of Ash Exhibition, 12/1 – 18
Lecture: 12/3, 6pm Tipton Hall
Workshop: 12/4 –7, SFAI


Since 1995 Juan Manuel Echavarria's work has been concerned with finding new ways to document Columbia’s grotesquely violent civil conflict. The conflicts between the army, left-wing guerillas and right-wing paramilitaries can be traced back to the 1950s, and the drug cartels to the 1980s. His disturbingly beautiful pictures evoke the dread and human waste of this endless war without presenting a succession of bloody corpses. Turning his camera to blind spots in the social fabric of Colombia, Echavarria creates a record of violence everywhere.

DEC
 
  Fernando Garavito
1/7 '08 Lecture, 6pm Tipton Hall

Garavito is a Columbian journalist forced into exile after publishing a biography detailing the links between Columbia's drug cartels, right-wing paramilitary groups, and President Alvaro Uribe Velez.
JAN'08